Endhiran Trailer

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Enthiran The Making

Cool, recently I got Making of Enthiran video. Specially uploaded for you all readers. Enjoy Friends!!!

Intro Rajini

Love The Rajini Style Introduction In Sivaji...

Semmozhiyaana Tamizh Mozhiyaam [With English Translation]

TMS: Pirapokkum ella uyirkum pirandha pinnar
[All living things are born equal]


ARR: Yaddhum Oore Yaavarum Kelir
[Every place on earth is our hometown, everyone on earth are related]


Harini: Onnbadhu naazhi udupathu irenda
[A handful of food can fill our stomach; 2 clothes are enough to cover our body]


Chinmayi: Uraividam enbadhu ondre
[You only need one place to live]


Karthik: Uraithu vazhndhom uzhaithu vazhuvom
[We have lived remembering these things, we worked hard all our lives]


Hariharan: Theedum nandrum pirar thara vaara yenum nan mozhiye.. nam pon mozhiyaarm
[Good and bad aren’t caused by others (but are a result of our actions) – its our beautiful language that told us this.. its our golden language.]


Yuvan Shankar Raja: Poorai puram thalli porulai podhuvaakave
[To push the war and hatred behind us and make all wealth available to everyone]


Chorus: amaidhi vazhi kaatum anbu mozhi.. ayyan valluvarin vaaimozhiyaam
[Ours is a lovable language that taught us peace.. it’s the mother tongue of Saint Thiruvalluvar]


ARR, Yuvan & Chorus: Semmozhiyaana thamizh mozhiyaam
[The classical Tamizh language]


Vijay Yesudas: Orrarivu mudhal aararivu uyirinam varayile unarndhidum udal amaipai pagirthu koorum
[It’s characters depict the body structure of a one-sensed insect to a six sensed human being]
P Susheela: Orrarivu mudhal aararivu uyirinam varayile unarndhidum udal amaipai pagirthu koorum
[Its alphabetic characters depict the body structure of a one-sensed insect to a six-sensed human being]


GV Prakash: Olga pugazh, Tholkappiyamum, oppatra kural koorum uyar panpadu
[Olga pugazh, Tholkappiyam and the matchless Thirukural (all ancient tamil literatures) teach us high values]


Naresh Iyer & Chorus: Olikindra silambum meghalayum sindhamaniyudane
[The resounding anklet, Meghalayum and sindhamani (tamizh literatures)]


TL Maharajan: Valayapathi… Kundalakesiyum
[names of Tamizh literatures]


Chorus (with Nithyashree): Semmozhiyaana Tamizh Mozhiyaam
[The classical Tamizh language]


Blaaze: Kamba naatalvarum, kavi arasi Avvai nallalum, yemmadhamum yetru puzhgalkinra yethanayo aayiram kavidhai neivor tharum puthadai anaithukkum vithaaga vilangum mozhi
[Its a language that stands for Kambar, Avvai (Classical poets), a thousand poems that praises all religions, and the weavers who weave our new clothes]


Chorus: Semmozhiyaana Tamizh mozhiyaam
[The classical Tamizh language]


Dr. Balamurali Krishna, Srinivas & Chorus: Agam endrum puram endrum vazhvai azhagaaga vaguthalithu, aadhi andam illathu irukindra iniya mozhi, Oodhi valarum uyiraana ulaga mozhi namm mozhi.. namm mozhi… adhuve…
[It a sweet language with no known beginning or end and it beautifully splits and explains the way we need to lead our personal and public life,
It’s a language that’s close to our heart and its ever widely spoken language..
It’s our language.. and that is..]


Sruthi Haasan: Semmozhiyaana Thamizh Mozhiyaam.. .. Thamizh mozhi tamizh mozhi tamizh mozhyaam
[The classical Tamizh language]


Chorus: Semmozhiyaana Tamizh mozhiyaam
[The classical Tamizh language]


Chorus: Thamizh mozhiyam engal Thamizh mozhiyam.. Vaazhiya Vaazhiyave.. Tamizh vaazhiya vaazhiyave..
[Tamizh language.. It’s our Tamizh language.. Let it live on forever..
Let Tamizh live on forever]

Endhiran Music Review

Song: Puthiya Manidha: The singers of ‘Pudhiya Manidha’ song are S.P. Balasubrahmanyam, A.R. Rahman and his daughter Khatija Rahman. In keeping with the futuristic theme of the movie’ the opening notes are very techno. The song goes on to sing extol of the Robot and its sublimity. SPB’s vocals overpower the others’ when the pace gradually picks up. A slow strong chanting ‘Pudhiya Manidha Boomiku Va’ follows a robotic rendering of the first verse.
Singers: S. P. Balasubramaniam, A R Rahman, Khatija Rahman
Lyrics: Vairamuthu

Song: Kadal Anukkal:‘Kadhal Anukkal’ is a poetic love song which was sang by Vijay Prakash and Shreya Ghoshal. The honeyed opening guitar strumming is simple but beautiful. The song contains pacey beats in the background and a gentle melody in the foreground with a typical ARR melody of the 2000s. In the first music interval note of bagpipes can be sounded which has a soothing feel to it and in the second half, the techno beats surface can sounds.
Singers: Vijay Prakash, Shreya Ghoshal
Lyrics: Vairamuthu

Song: Irumbile Oru Idhaiyam:‘Irumbilae Oru Idhayam’ song is sung by A.R Rahman and the English version by Kash ‘N’ Krissy. The lyrics of the song are quite touching and bring out ‘the Robot with emotions’ angle. A.R Rahman expresses their emotions with finesse.
Singers: A R Rahman, Kash ‘N’ Krissy
Lyrics: Madan Karki
English Lyrics: Kash ‘N’ Krissy

Song:Chitti Dance Showcase: ‘Chitti Dance Showcase’ has very techno, speedy theme song. It sung into heavy western beating, which is very interesting piece, repeated a few times in the composition. In starting the first few lines of the song was in English then they rapidly converted into quick-paced classic notes. The song has a heavy dose of electric drums; when the drums fall silent, they are replaced by a serene violin orchestra with a divine harmony.
Singers: Pradeep Vijay, Pravin Mani, Yogi B
Additional Arrangements and Programming: Pravin Mani

Song:Arima Arima: The singers of ‘Arima Arima’ song are Hariharan and Sadhana Sargam. The song starts with royal rhythm of drums like it’s marking the entry of an Emperor, in this case, Endhiran. There is a touch of pain in the voice of Sadhana Sargam while the chorus chants his praises, calling him even the Silicon Singam. This majestic composition has a shade of melancholy, bringing out the contrast in the psychological mindsets of the characters.
Singers: Hariharan, Sadhana Sargam
Additional Vocals: Benny Dayal, Naresh Iyer
Lyrics: Vairamuthu

Song: Kilimanjaro: Kilimanjaro song is sung by Javed Ali and Chinmayi which is quite a fast number for its background beats. The lyrics of the song is written by P. Vijay.
Singers: Javed Ali, Chinmayi
Lyrics: P. Vijay
Additional Vocal Arrangements: Clinton Cerejo

Song: Boom Boom Robo Da:‘Boom Boom Robot-da’ is a fully techno, upbeat number which was sung by lots of singers like Krithi Sagathia, Swetha Mohan and Tanvi Shah, interspersed with Tamil rap from Yogi. The song is a mish-mash of fast techno sounds and a fairly pacey tune.
Singers: Yogi B, Keerthi Sagathia, Swetha Mohan, Tanvi Shah
Lyrics: Madan Karki

It's hard to feel sympathy for Sylvester Stallone. After all, over the years his movies have made billions, with Stallone himself taking a sweet percentage. As John Rambo he's known the world over, as Rocky Balboa he's even loved. Few actors have enjoyed such long-term success, or such iconic status. Yet Stallone still has real cause for disappointment. He did not start out wanting to be an action hero. Indeed, his acting roots are in absurdist theatre and weighty, more experimental works. Throughout his career he has taken numerous steps to distance himself from that Rocky/Rambo persona, with no joy. The public always wanted him as he was - the damaged, simple, everyman hero - and would not let him go. And Stallone, who must take his share of the blame, lacked the artistic courage to leave those sure-fire hits behind. It takes sacrifice to become a Hollywood star - and a lot more to remain one.

He was born Sylvester Enzio Stallone on the 6th of July, 1946, named after his paternal grandfather. His mother, Jackie, had wanted to name him Tyrone, after action hero Tyrone Power, but her prophetic rhyme was not to be. Besides, the young boy would soon be nicknamed Binky.

Stallone's birth, in the charity ward of a public hospital (close by to the Actors' Studio - again prophetically), was a difficult process. Weighing in at 13 pounds, he did not come easily and was indeed tugged from the womb by an intern with a pair of forceps. This drastic and rather unprofessional procedure would sever a nerve above the baby's jaw, causing his famously drooping eyelid and lip and also a speech impediment that would take years of therapy to overcome.

Jackie was an aspiring dancer, one of the Long Stemmed Roses at the Billy Rose Diamond Horseshoe nightclub. Prone to weight-gain, though, she was not as long-stemmed as others, and so spent much of her working time selling cigarettes to the club patrons. Still she was ambitious and pursued her dancing career with zeal. Stallone's father, meanwhile, Frank, was a Sicilian immigrant who'd attempted to make it as a club singer but, wrecked by a stagefright that saw him performing from behind a curtain, had moved into hairdressing and was attempting to build a business.

With Jackie struggling as a dancer and Frank pumping all his profits back into his business, there was very little money to spare. For the first five years of Sylvester's life, the family would live in a cold-water flat in Hell's Kitchen, on 50th and 10th. During the week, with both parents working, the boy would be sent to live with a foster mother in Queens, an uncommunicative woman who left him to live in his own fantasy world, thus fuelling his nascent imagination.

In later years Stallone would make much of this depressed background - it was this that connected him so forcefully and fatefully to the Rocky character - but their poverty was unusual in the family, and short-lived. Nee Labofish, Jackie's father was the highest-ranking circuit court judge in Washington (tellingly, he was also obsessed with bodybuilding and once shared a room with Charles Atlas). She did not come from poverty and, with Frank quickly building a chain of salons - J Frank's Hair Stylists - she did not stay in it for long. Once Frank Jr was born in 1950, the family were able to move to the upper-class Washington suburb of Silver Springs.

The family would live here in real comfort, in a big house with impressive grounds. Soon Frank Sr would be buying polo ponies (Frank Sr had learned to play the game when stationed as a guard on the Mexican border during WW2). Yet all was not right with young Sylvester. Painfully aware of his disfigurement and flawed speech, he reacted badly to the inevitable teasing at school - Mr Potato Head being one of his kinder nicknames. Fearing that answering back to taunts would simply lead to more insults about his speech, he clammed up, became surly and difficult, his anger manifesting itself in vandalism and fighting with other children. At home, life was no easier as Frank Sr was extremely critical of his elder son. Nothing Sylvester did was good enough and when the frustrated boy dared to answer back he'd receive the back of Frank's hand. Stallone would later reveal that his father was prone to whistling before striking his son and, when he became a big star, the clearly still traumatised actor actually banned whistling from his sets.

Terribly lonely at school, and feeling disregarded at home where the good-looking, musically-gifted Frank Jr received preferential treatment, Sylvester retreated further into his fantasy world of books and comics. At one point he even made himself a Superman outfit and wore it under his clothes. Unbeknown to the rest of the world, he had a secret identity - courageous, powerful, attractive. Unfortunately, he let his secret slip and was made to strip down to his superhero costume in front of the class. More humiliation. It must have driven him a little crazy as, at age 11, he jumped off the roof using an umbrella as a parachute, just like in the movies he already loved. He was lucky to escape with a broken clavicle.

Try as he might, Stallone could never escape for long into fantasy. The real world kept breaking in to assault him.

He was still a straight F student, unable to retain academic information, suffering an ADD that probably resulted from the rickets he suffered during those poor, vitamin-deficient years in Hell's Kitchen. In fact, the real world was horrible, just an endless string of people pushing him, punching him, insulting him, telling him he was ugly and useless, aggressive and thick. Efforts were made to calm him. He was sent to therapy, even to a religious retreat, but nothing worked. And then came another dire blow when, in 1957, his parents divorced. When Jackie left, leaving Sylvester in the hands of his hyper-critical father, the boy clung desperately onto her leg, going, as she later put it, "into convulsions". He'd actually run away to join his mother in Philadelphia, being brought back by the authorities. After a raging court battle that left both kids emotionally torn, the parental access decided upon would bring further estrangement to Sylvester, with Frank Sr and Jackie agreeing to look after Sylvester and Frank Jr in alternate years. By the time Sylvester was 16 he'd have attended 20 schools.

. Nevertheless, despite his parents' split - or maybe because of it - young Sylvester at last began to find some inner stability. When Jackie remarried to Tony Filiti, owner of a frozen pizza factory in Philadelphia (this union would give Sylvester a half-sister, Toni Ann), she found herself even better off than before. Her ambitions encouraged by her new husband, she opened a gym for women, and dragged Sylvester along with her, an immensely tedious experience for the 12-year-old kid. Tedious, that is, till his interest in movies led him, in 1958, to see Steve Reeves in Hercules (a film, interestingly, shot by Mario Bava, soon to direct the horror classic Black Sunday). Due to his grandfather, Stallone would have already been well-acquainted with the notion of bodybuilding, but in Hercules all its possibilities were revealed in Reeves' magnificent form. Here was a self-made man who was unashamedly superheroic, and his body was his costume. Stallone was thrilled and utterly inspired. Onscreen he devoured Reeves' work - Hercules Unchained, Morgan The Pirate, Goliath And The Barbarians and the rest - and began to work out at his mother's gym. Making weights out of old car parts, he pumped iron at home, too.

By the age of 13, Stallone was well on the way to creating himself. Impressively buff in a physical sense, he also began to work on his mind, religiously expanding his vocabulary by one word a day. Gradually, the taunts and fights became more rare. At Lincoln High in Philadelphia he even made the track team.

At 16, his grades still relatively poor, he began to dream of a life of adventure, the navy seeming a good ticket out. His father, though, as ever unsure of his son's ability to do anything right, nixed the idea and kept the boy under his watchful eye, employing him in his hair salons.

He stood it for 6 months, then returned to school in Philly, living with his mother at 2744 Mowes Street. Even academia was more adventurous than hairdressing. Trouble was, bored by lessons, Stallone was a compulsive truant, never a good student. Finding the right school for him had always been immensely difficult. One great opportunity would have been at Montgomery Blair, a public high school in Silver Spring where he'd have been in the same year as newscaster Connie Chung, one year behind Goldie Hawn and two behind Watergate journalist Carl Bernstein, but he was transferred soon after enrolment. Eventually, at great expense running into the tens of thousands, Jackie enrolled him at the Manor High School, a private institution for problem kids run by the Devereux Foundation. Here, breaking from the past by re-naming himself Mike on entry, he'd undergo group and individual therapy as well as intensive speech therapy. No longer an outsider, his confidence would quickly grow. He'd box, fence, ride and play football for the school. Amazingly, given his history, his senior yearbook would say "Mike is one of the most popular boys in school".

. Eventually, Sylvester would graduate - a big win for the rank underdog. However, his grades were such that no college would take him. Once more Jackie would come good, seeking out the American College in Leysin, Switzerland, close to the French border, near Montreux and Lake Leman at the western foot of the Alps. Though the college was ordinarily a place for the rich and aristocratic, Jackie discovered that they were presently suffering a cash flow crisis. By offering to pay in advance and have Sylvester work as boxing coach, she won him an unlikely place among the children of the rich and famous.

For two years, Sylvester was happy in Switzerland. He made vast improvements at science, maths and history and began to excel at art and literature. He painted, wrote poems, grew to love the works of Shakespeare, Hemingway and Whitman. He joined the Social Service club and the drama group for whom he starred as Biff, son of the tragic Willy Loman in Arthur Miller's Death Of A Salesman. And there was romance. Philadelphia's ugly duckling was known in the 1966 yearbook as "Studly".

In 1967, Stallone enrolled at the University of Miami as a theatre major, keen to maintain the momentum he'd built up in Switzerland. Unfortunately, several of his obsessions counted against him. Firstly, he was still a committed bodybuilder, his insecurities still forcing him to impress people with his body. His tutors found him too aggressive, too physical. He wasn't natural in way that Brando, Newman and the big stars of the day were natural. Beyond this, Stallone had fallen head over heels for the Theatre of the Absurd where Adamov, Ionesco, Jean Genet and Samuel Beckett were kings - another big no-no at the university.

Rejected in drama class, Stallone began to pen his own avant garde plays, putting them on with his own troupe in garages, cellars, anywhere he could afford. He may not have impressed his teachers, but he was an underground hit with his rejection of narrative and his disruptive techniques (all very different to the films he would later produce).

. Keen to follow his own path, Stallone would drop out of college just before graduation and return to New York City, where he'd rent a room at the Sutton hotel, near Times Square. Here he'd pursue his latest passion - screenwriting - devouring books on the subject, endlessly scribbling, creating himself once again. He'd write the anarchistic Till Young Men Exit where fledgling actors take a Broadway producer hostage, he'd base Sad Blues on his brother Frank's attempts to build a pop career. Nothing doing, no response. In the meantime, he'd pursue acting, attending many, many open auditions. However, being muscley and mumbling, he'd be dismissed as just another Brando wannabe, one in millions. Oddly, he'd fail to win a part in Sal Mineo's Fortune And Men's Eyes, a prison drama concerning homosexual rape, because he wasn't angry enough.

Eventually, he would gain a part, as the minotaur in a 3-week Bronx production of Desire Caught By The Tail, Picasso's only play, written in 1941 and packed with myth, sexuality and surrealism. It would have clearly appealed to Stallone's sense of the avant garde, at one point having a bucket of ping pong balls descend onto the stage. Sadly, this was no career breakthrough. Stallone was soon unemployed and broke. Too proud to ask his parents for money, he spent time dossing in the infamous Port Authority Bus Terminal on 42nd Street, storing his precious notes and books in a locker there.

At his lowest ebb, as so many had done before him, he took a part in a porn film for $200. Beginning in a meaningful, almost Bergman-esque fashion, Party At Kitty And Stud's quickly resorted to softcore, Stallone cavorting with his girlfriend then inviting two girls and a guy to join them in a small-scale orgy. Studly was now just a stud and the world would witness his fall when, in 1976, with Rocky a massive hit, the film would be released under the hilarious title The Italian Stallion.

Still, $200 was $200. Stallone moved into a $71 a month apartment above an abandoned deli on 56th and Lexington. He worked cutting up fish in a deli in Manhattan, made and delivered pizza, even cleaned out the lions' cage at Central Park zoo. He worked as a bouncer at his own building, keeping the homeless out of the halls, and scored a job as an usher at the Baronet Theatre, where most major movies would premiere. Noticing how big the queues were, and how many disappointed punters were turned away, he began a lucrative side-line selling tickets to those at the back of the line.


Interestingly, during his press tour for Rocky Balboa, Stallone claimed he didn't care if he acted again. His overriding interest now, he said, was writing. If he's true to his word (and he doesn't have the greatest record there), this opens up grand possibilities. We may finally see that long-anticipated biopic of Edgar Allan Poe. And we may, just possibly, see Stallone reinvent himself yet again. Could he turn from an action hero accused of senseless violence and right-wing politics into a well-respected elder statesman of film?After all, Dirty Harry managed it - why can't Rambo?

Genelia Biography

Genelia D’Souza also known as Harini to close friends born on 5 August 1987 in England into a Mangalore Catholic family. She is an Indian film actress who appears in Hindi, Kannada, Tamil, and Telugu language films. Genelia is also very famous with her nickname Geenu and Cheenu. Geenu’s parents Neil D’Souza, a senior official with Tata Consultancy Services (TCS) and Jeanette D’Souza, formerly secretary to Managing Director with a pharma MNC. She has also a elder Brother in her family. Cheenu studied at the Apostolic Carmel High School in Bandra and then she joined St. Andrews College (Bandra) to pursue her Bachelor’s Degree of Management Studies. Genelia was also a National level Football player and State level athlete.


PERSONAL LIFE OF GENELIA D’SOUZA

Watching movies and Listning the old songs is the Hobbies of Genelia D’Souza. her favorite dress is Jeans, T-Shirts and Salwar Kameez Cheenu’s Favorite music director is AR Rehman and her favorite singer is Lucky Ali. Shahrukh Khan is the favorite actor and Kajol is favorite actress of Geenu.


GENELIA D’SOUZA’s CAREER

Genelia started her career in the year 2003 with three movies – first one was Hindi movie TUJHE MERI KASAM opposite Ritesh Deshmukh another one is the Tamil movie BOYS and the third one is the Telugu movie SATYAM opposite Sumanth. Hindi Movie Tujhe Meri Kasam, which was a remake of Telugu movie Nuvve Kavali and saw an average response. Tamil Movie Boys, on the other hand, which was a hit, as was Satyam. After that Cheenu doing several movies which built her popularity and raised her profile in south India. She acted in successful telugu films like SAMBA, HAPPY and SYE. She followed it up with a pairing with actor Venkatesh in Subhash Chandra Bose which met with disappointment at the box-office. But in the year 2008 she has again appeared a golden come back in bollywood with moderately successful movie Priyadarshan’s MERE BAAP PEHLE AAP alongside Akshaye Khanna. And then Cheenu got her final breakthrough in Bollywood was through the blockbuster and the year’s hit JAANE TU YA JAANE NA. In this movie Geenu has a role of Aditi Mahant aka “Meow”. Her role has been widely admired for her sweetness and freshness, and new style of acting. And now her latest movie is a Telugu film READY in which she was paired opposite Ram was a super hit and a Hindi movie titled LIFE PARTNER with Fardeen Khan which is running successfully in theaters.


Genelia D’Souza upcoming movies are It’s MY LIFE with Harman Baweja is to be released in 2009. She will also act in David Dhawan’s movie HOOK YA CROOK opposite John Abraham and Shreyas Talpade for the first time which is a cricket film, the film will be released in 2009. Geenu also now becomes the brand ambassador of the new Fanta replacing the bollywood princess Rani Mukherjee. And also the brand ambassador of chocolate Perk replacing the heart of bollywood Preity Zinta. She now holds a distinct Limca world record of delivering 4 different super hit films in 4 different languages (Satya (Kannada), Santosh Subramaniyam (Tamil), Ready (Telugu) and Jaane Tu… Ya Jaane Naa (Hindi)) in span of 1 calendar year.


AWARDS FOR GENELIA D’SOUZA

• Filmfare Award for Best Female Actress for Bommarillu (Telugu), 2006

• Nandi Jury Award for Bommarillu (Telugu), 2006
• Nandi Special Jury Award for Bommarillu (Telugu), 2006
• Santosham Award for Best Actress for Bommarillu,2006

Happy Birthday Genelia !

Its a belated birthday to Genelia since I didn't update my post yesterday. So here I am wishing Genelia Happy Belated Birthday!! May God Bless her always!

Easy To Love But Hard To Commit !!!!

Recently I found a video in You Tube, a guy can love a girl for 10 years but yet don't wanna commit his life, meanwhile he previously had kidnap her and send her back home the next day. What a Jolly life the guy is having but the end his life destroy by taking too much of advantage!!! Praise to God the girl much happier got marry to her lover.

Kamal Haasan Biography

Kamal Haasan (Tamil : கமல்ஹாசன்) (born November 7, 1954, in Paramakkudi, Tamil Nadu, India) is a highly acclaimed and highly versatile Indian film actor whose work is mainly based in the south Indian film industry. Kamal Hassan is also a critically acclaimed actor and also a box office hit maker, his recent films from the year 2000 to 2006 such as Vettaiyaddu Villayadu (Rs 450 million), Vasool Raja MBBS (Rs 400 million) and Thenali (Rs 300 million) are money spinner's at the box offices not only in India but Internationally too.

Early life

Kamal was born to Srinivasan and Rajalakshmi as their fourth and youngest child. His father gave all three of his sons the suffix of "Haasan" as a sign of his friendship to one Mr. Haasan. Kamal entered the film world as a child actor at the tender age of 6 in the film Kalathur Kannamma and has been associated with the film world since then. Kamal learnt the fine arts in his early years instead of school work. As a teenager, he started working as an assistant choreographer in movies and it was during this time that his long and fruitful association with notable Tamil film director, K. Balachander began.

alised films for a major portion of his career, but then moved away from the purely commercial ventures. He is also a trained playback singer and sometimes pens the lyrics for the soundtracks of some of his recent films. He is an able performer of the Bharatanatyam dance form. He had assisted in choreography early in his career. He is easily the greatest actor Tamil cinema has ever produced.

Sixties

Kamal made his screen debut with Kalathur Kannamma at the age of six and it won him the first National Award for Best Child Artist. He followed it with appearances as a child actor in movies that featured MGR, Sivaji Ganesan, Nagesh and Gemini Ganesh.


Seventies

In seventies Kamal entered in to cinema at full swing. Apart from acting in Tamil films, he was also cast during this period in Malayalam films directed by some of the leading Malayalam directors of the day. Though he was already introduced as an adult hero in earlier films like Avargal, Aval Oru Thodarkathai, Solla Thaan Ninaikkiren, Maanavan and Kumara Vijayam, it was in the film 16 Vayathinile, with Sridevi, that established him as a popular teen idol at the age of 23. Kamal Haasan and Sri Devi were a popular acting pair and have acted together in 23 films. The year following his appearance in 16 Vayathinile, Kamal Haasan acted in director K. Balachander's Telugu hit Maro Charithra.

During the 1970s, he has played a host of characters that include:

* a ventriloquist in Avargal
* a village innocent in 16 Vayathinile
* a disco jockey in Ilamai Oonjaladugiradhu
* a psychopath serial killer of women in Sigappu Rojakkal
* a buck-toothed villager in Kalyanaraman
* Aladdin in Alavudheenum Arpudha Vilakkum



Eighties

His first attempt at direction came through an unfortunate turn of events with the demise of director T.N. Baalu during the filming of Sankarlal in 1981. Kamal reached superstardom in 1979 with multiple classics and mass blockbusters which coincided with the decline of MGR/Sivaji era in movies (MGR quit movies in 1977 while Sivaji, nevertheless continued to act till the 90s). Kamal has managed to hold off competition successfully till date by differentiating his films in scripts, roles and get-ups.

In this period, he has played amongst other roles, :

* a blind violinist in Raja Paarvai at the age of 27 (first screenplay by Kamal)
* a classical dancer in Saagara Sangamam
* a mentally challenged man who falls in love in Swathi Muthyam
* an undercover cop in Kaaki Sattai
* an underworld don in Nayagan (Leader) at the age of 33 (directed by Mani Ratnam)
* an unemployed youth who chances upon a week of opulence in the silent movie Pushpak
* an honest cop, a dwarf circus clown and a fun-loving mechanic in Apoorva Sagodharargal at the age of 35 (screenplay by Kamal)
* a corrupt mayor in Indrudu Chandrudu, Telugu

Apoorva Sagodharargal, which released in 1989, was the first Kamal film to gross almost Rs.100 million at the box office.


Nineties

Kamal's second attempt at direction came through another unfortunate turn of events when the original director Shantanu Sheroey failed to do a good job while filming Chachi 420 in 1997. Inspired by the European style of closer-to-reality docu-dramas, Kamal moved decisively towards making films for select classes in the 90s, isolating some of his ardent fans.

In this period, he has played:

* as a Doctor in hilarious tamil movie "Sathy Leelavathy"
* as quadruplets in the comedy Michael Madhana Kamarajan
* as an old and highly-corrupt mayor in Indiran Chandiran
* a mentally-challenged man in the romance Guna
* a modern youth turned villager in Thevar Magan at the age of 38 (written and produced by Kamal)
* a hapless villager who lost and re-discovers his family in a metropolis in Mahanadhi
* a revolutionary lecturer in Nammavar
* a special police squad officer against terrorism in Kuruthipunal
* a righteous old revolutionary as well as his corrupt son in Indian
* an old au pair nanny in Avvai Shanmugi (an adaptation of the film Mrs. Doubtfire) at the age of 42

Unlike the eighties, Kamal films in the nineties lost sheen and were less successful. However, Indian and Avai Shanmugi which both released in 1996 grossed almost Rs.200 million at the box office marking a new peak in his career.

Noughts

Kamal's multi-faceted talent came to the fore in off-screen departments like direction, scripting, screenplay, special effects and these reached full bloom in this decade.

Again, he has played diverse roles in this period, which include:

* a pair of twins (one of which is a deranged psychopath) in Aalavandhan
* an ardent bachelor turned lover in Pammal K Sambandam
* a randy pilot in the comedy caper Panchathanthiram
* a disabled altruist in Anbe Sivam
* a rustic wrongly jailed for the murder of his lover in Virumaandi (directed by Kamal)
* a deaf circus stuntman in Mumbai Express at the age of 51
* an old age student of MBBS degree, Vasool Raja M.B.B.S, a remake of Hindi film, Munna Bai M.B.B.S
* as DCP Raghavan, a smart and suave policeman with his "Raghavan instinct" out to trace a serial psychopath killer duo in Vettaiyaadu Vilaiyaadu

Thenali, which released in 2000, was the first Kamal film to gross almost Rs.300 million at the box office. Vasoolraja MBBS grossed almost Rs.400 million and Vettaiyadu Vilaiyadu mopped up Rs.450 million at the box office. These back-to-back blockbusters proved his persistent hold on Kollywood and silenced critics.

Awards

Kamal is a three-time winner of the National Film Award for Best Actor for the films Nayagan, Moondram Pirai, and Indian. He also won the national award for Best Child Actor for his performance in Kalathoor Kannamma. He has also received the best actor award at the Asian Film festivals held in 1983 and 1985 for Saagara Sangamam and Swathi Muthyam respectively. Six of his movies have been sent as India's official entry to the Oscars- The only actor to achieve this feat in the sub-continent. Kamal has won the Filmfare awards 18 times. He was awarded the fourth highest recognition given to Indian civilians - the Padmashri in 1990. He was conferred an honorary doctorate by Sathyabama Deemed University, Chennai in 2005. Kamal haasan has won a total of 171 awards which is more than any other actor in the world living or dead. He was named as "kalaignani" meaning - an idol of art, by M. Karunanidhi for his classical work towards tamil cinema. In his upcoming film Dasavatharam, he is playing 10 different roles, an act which is the second of its kind in the world, after the Tamil movie Dambachari (1936).

Career as a film producer

Owing to his immense popularity in the Indian film industry, Kamal began producing films. He began with Raja Paarvai in 1981. A more recent production was the film Virumaandi in 2004. His privately held production house Raj Kamal Films produced several classics like Apoorva Sagodharargal, Thevar Magan, Kuruthipunal etc. His more recent production ventures include the films Virumaandi and Mumbai Xpress.

His magnum opus, Marudha Naayagam, is a period film set in early 18th century Madurai about a warrior/freedom fighter Yusuf Khan Sahib or Muhammed Yusuf Khan. The film's launch was inaugurated by Queen Elizabeth II. However, the film is yet to be made.

In 2005, he launched a new business unit called Raj Kamal Audio in a drive to corporatise all his film commitments. In 2006, he purchased prime real estate for a state-of-the-art multiplex cinema.

Personal life

Kamal Haasan was married to Vani Ganapathy. He later had a live in relationship with Sarika with whom he has two daughters (Shruthi and Akshara) and with whom he is now separated.

Charity

Kamal is the first actor to turn his fan clubs into registered non-profit service organizations.He indulges in many charity work through his fan clubs by helping the needy. Fan clubs all over celebrate his birthday with some or the other charity work across the state.

Filmography

Listed below is the best guesstimate available of Kamal's 240-odd releases till date in at least six regional markets.

* 1960 - Tamil debut
* 1962 - Malayalam debut
* 1977 - Bengali debut
* 1977 - Kannada debut
* 1977 - Telugu debut
* 1977 - Hindi debut

Endhiran Lyrics

Song: Puthiya Manidhan
Singers : S. P. Bala, A. R. Rahman & Khatija Rahman
Lyrics : Vairamuthu


Puthiya manitha

Boomiku vaa!(2)

Ehkai vaarthu
Silicon serthu
vayarooti uyirooti
hardiskil ninaivooti
azhiyatha udalodu
vadiyatha uyirodu
aaram arivai araithu ootri
ezhan arivai ezhuppum muyarchi
Puthiya manitha
Boomiku vaa..


Puthiya manitha

Boomiku vaa!

maatram kondu vaa
manithanai menmai sei
unathu aatralal
ulagai maatru
ella uyirkkum
nanmayairu

entha nilayilum
unmaiyai iru

Endhiraa.. Endhiraa..
en endhiraa

Naan kandathu aararivu
nee kondathu perarivu
naan kaatru aarumozhi
nee petrathu nooru mozhi
eeral kanayam thunbamillai
idhaya kolarethumillai
thanthira manithan vaazhvathillai
enthiran veezhvathillai

karuvil pirantha ella marikum
arivil piranthu
maripathe illai

idho
en endhiran
ivan amaran

naan innoru naanmukane
nee enbavan – magane
aan petravan aan magane
aam un peyar endhirane

Puthiya manitha

Boomiku vaa!(3)

Naan enbathu arivu mozhi
yen enbathu enathu vazhi
vaan pondrathu enathu veli
naan nalaya gnana oli

nee kondathu udal vadivam
naan kondathu
porul vadivam
nee kandathu oru piravi
naan kaanpathu pala piravi

robo robo panmozhikal katralum
en thanthai mozhi
tamizh allavaa!

robo robo
pala kandam vendralum
en karthaavukku
adimai allava!


Puthiya manitha

Boomiku vaa!




Song: Kadhal Annukal
Singers : Vijay Prakash & Shreya Ghoshal
Lyrics : Vairamuthu


Kadhal Anukal

udambil etthanai?
neutron electron
un
neelakannil mottham etthanai?
unnai ninaithal
thisukkal thorum aasai sindhanai
haiyoo

sanaa! sanaa!
ore vina
azhakin otham neeya?
nee
newton newtonin vithiya?
undhan
nesam nesam ethivinaya?
nee
aayiram vinmeen thirattiya punnagayaa
azhagin mottham neeya?

nee
mutrum ariviyal pitthan
aanal mutham ketpathil jitthan

unnal
dheem thom manathil sattham
then then then idhazhil yuttham
roja poovil rattham

hokku baby ho baby
senthenil ossaappi
hokku baby ho baby
megathil pootha gulabi

pattampoochi pattampoochi
kaalgal konduthan rusiyarium
kathal kollum manithapoochi
kangalai konduthan rusiyarium

odigira thanniyil thanniyil
oxygen miga adhigame!
paadugira manasukkul manasukkul
aasaikal miga adhigam!

Aasaiye vaa
aayiram kadhalai aindhe
nodiyil seivom penne vaa vaa

kadhalkara!
nesam valarka oru
neram odhukku endhan
nenjil veengi vidathey!

kadhalkari!
undhan idaiyai pla
endhan pizhaipil kooda
kadhalin neramum ilaithuvittathey!


hokku baby ho baby
senthenil ossaappi
hokku baby ho baby
megathil pootha gulabi

kathal anukkam
udambil etthanai?
neutron electron – un
kaandhakannil motham etthanai?

unnai ninaithal
thisukkal thorum aasai sindhanai


sanaa! sanaa!
ore vina
azhakin otham neeya?
nee
newton newtonin vithiya?
undhan
nesam nesam ethivinaya?
nee
aayiram vinmeen thirattiya punnagayaa
azhagin mottham neeya?

hokku baby ho baby
senthenil ossaappi
hokku baby ho baby
megathil pootha gulabi




Song: Irumbile Oru Idaiyam
Singers : A. R. Rahman & Kash’n’Krissy
Guesh Vocals : Parthiv Ghil
Lyrics : Kaarki
English Lyrics : Kash’n’Krissy



You want to seal my kiss

boy you can’t touch this
everybody… hypnotic hypnotic…
super sonic…
super star can’t can’t can’t get this

Irumbile or iruthayam mulaikuthey
muthalmurai kathal azhaikutho(2)
poojiyam ondrodu
poovasam indrodu

minmeengal vinnodu
minnalgal kannodu
google-kal kanadha
thedalgal ennodu
kaalangal kaana kathal
pen poove unnodu
iRobo un kathil
I love you sollatta?

I am a super girl
un kathal rapper girl
ennulle ennellam
neethane neethane
un neela kannoram
minsaram paripen
en neela pallale
unnodu siripen
en engine nenjodu
un nenjai anaipen
nee thoongum nerathil
naan ennai anaipen
ennaalum eppodhum
un kayil bommaiyaven

watch me robo shake it
i know you want to break it
thottu pesum podhum
shock adikka koodum kathal seiyum neram
motor vegam koodum
iravil naduvil battery than theerum

memoryil kumariyai
thani sirai pidithen
shutdown-ne seiyyamal
iravinil ellam theya theya
naalum unnai padithen
unnale thane – en

vithikalai maranthen
echil illa endhan mutham
sarchai indrik kolvaya?
rattham illa kathal endru
otthi poga solvaya?
uyiriyal mozhikalil endhiran thanadi
ulaviyil mozhikalil indhiran naanadi
sathal illa saabam vaangi
manmele vandhene
theimaname illa
kathal kondu vandhene

Hey… Robo… mayakathey…
you wanna come and get it boy
Oh are you just a robo toy
I don’t want to break you
even if it takes to
kind of like a break through
you don’t even need a clue
you be my man’s back up
i think you need a checkup
i can melt your heart down
may be if you got one
we doing that for ages
since in time of sages
muttadhey orampo
nee en kaalaisutthum paambo
kathal seiyum robo
nee thevaiyillai po po



Song: Arima Arima
Singers : Hariharan & Sadhana Sargam
Additional Vocals : Benny Dayal & Naresh Iyer
Lyrics : Vairamuthu

Ivan perai sonnathum
perumai sonnathum
kadalum kadalum kai thattum;!
ivan ulagam thandiya
uyaram kondathil
nilavu nilavu thalai muttum!
adi azhage! ulakazhake!
intha
endhiran enbavar padaippin uccham!

Arima arima – naano
aayiram arima – unpol
ponmaan kidaithal – yamma
summa viduma?

rajathi – ulogathil
aasaithee – mooluthadi
naan
atlantikkai oottri parthen
akkini anaiyalaye!

un
pachai thenai ootru
en
icchai theeyai aatru

adi
kachai kaniye panthi nadathu
kattil ilai pottu…

sitrinba narambu…
semiha irumbil
sattendru mogam pongitre!
ratchasan vendaam
rasigan vendum
pennullam unnai kenjitre

naan manithan alla
aghrinayin arasan naan
kaamutra kanini naan
sinna sirusin idhayam thinnum
silicon singam naan…

endhira…! endhira…!

megathai uduthum
minnalthan naanendru
isukke isai vaikathey!

vayarellam osai
uyirellam aasai
robovai popovennathe!

ye yezham arive!
ulmoolai thirudukirai
uyirodu unnukirai! nee
undu muditha miccham ethuvo
athuthan naanendrai…




Song: Kilimanjaro
Singers: Javed Ali, Chinmayi
Lyrics: Pa. Vijay
Additional Vocal Arrangements: Clinton Cerejo


Kilimanjaro – malai
kanimanjaro – kannak
kuzhimanjaro
yaro yaro

aaha… aaha…

meganjadharo – unnil
nozhanjatharo payya
kozhanjatharo yaro yaro

aaha… aaha…

kaattuvasi kaattuvasi
pachaiyaga katipaya
muthaththale vega vechu
singapallil uripaya

aaha… aaha…

malaipambu pola vandhu
maankuttiya pudiyya
sukkumilagu thatti yenna
sooppu vacchu kudiyya

evaalukku
thangachiye yengudathan
irukka

aaluyara olive pazham
appadiye ennaka?

akkakko – adi
kinnikozhi
appappo – yenna
pinnikodi
ippappo – mutham
ennikodi!
akkakko – naan kiinikozhi
appappo – enna
pinniko nee
ippappo – mutham
ennikko nee

kodi pachaiye elumichaye
unmel unmel uyir ichhaiye

nooru kodi thasai – ovvondrilum
undhan pero isai!

inisakkere adichakare
manasa renda madichukire

naan oora vaitha
kani – ennai mella
aara vaithu kadi!

vervarai nuzhaiyum
veyillum naan – nee
illathirai yen ittali?

uthataiyum uthataiyum
pootti kondu – oru
yugam mudithu thira anbai!

sunaivaasiye sugavasiye
tholkaruvi enaivasiye

tholkuttha pala – rekkaikatti
kaalkondadum nila

marathegam naan marangotthi nee
vanadesam naan athilvasam nee

nooru grammathan idai – unakku ini
yaru naanthan udai!

aindhadi valarndha aattusedi – ennai
meindhuvidu mottham

pachi pasumpul pasumpul neeyanal
puli pul thinnume enna kutthum?





Song: Boom Boom Robo Da
Singers : Yogi B, Keerthi Sagathia, Swetha Mohan & Tanvi Shah
Lyrics : Kaarki

Boom boom robo-da robo-da robo-da

zoom zoom robo-da robo-da robo-da

isac asimovim velaiyo robo

isac newtonin leelaiyo robo

albert einstein moolaiyo robo

hey robo.. yo robo..
hey inba nanba com-on lets go

robo nee aghrinaiyo…
city nee uyarthinaiyo…

minsaram udalil rattham
naveena ulagathil ariviyal adhisayam

vaayundu aanal vayitrillai
pechundu moochillai
naadi undu iruthayam illai
powerthan undu thimire illai

sikki mukki agni vazhi vazhiye
oruvnin kathalil piranthavano

ye… eghkinile..
poothavano…
engalin kathalai serthavano

thirumathi thirunaal theriyum munne
nee
engal pillaiyo

city city robo – ye
chutti chutti robo
patti thotti ellam – nee
pattu kuutiyo

kutti kutti pattanil vaai moodum
kathali ithupol
kidaiyatho?

ye solvathellam
kettuvidum
kathalan ithupol
amaiyatho?

thavamindri varangal
tharuvathanal
kannano?

auto autokaaraa – ye
automatic kara
kootam kootam paru – un
autograph kkaa

Endhiran Audio Launch Stills

VOTE FOR THE BEST FACE

Hello readers, is nice to meet you again! I'm here to post something or asking a favor from you all. Recently there a competition going The Best Face Awards. I were selected for the Best Face in Female category, all I need you all to do is just VOTE for me. This voting requires nothing unless the voters should have FACEBOOK account to do the VOTING. I really appreciate it when you all votes for me. Just click the link below that I provided and than you can proceed the voting. Thank You So Much Those Who Vote For Me.

Click Here For Voting

Endhiran Audio Launching Live at PICC

Hello my readers, its been a good to see you again here. I'm here to write my experience after watching Endhiran Audio Launch at PICC (Putrajaya International Convention Center). For the first time in my life, I never been to any audio launch but for the first time in my life, just for Rajinikanth Sir I have plan to watch it live and finally my dreams come true!!! Too bad I couldn't get a chance to take photo with him, its very disappointing moment for me but whatever I'm happy that I got the chance to watch LIVE at PICC!!! This is my life time achievement and my dreams finally it came true!!!

Here Are Some The Video and Photos I Capture..

During The Red Carpet and During Launching