![](http://1.bp.blogspot.com/-gSEhIMR4cgs/Tl_HfvrVRoI/AAAAAAAADMo/lYikrJJP6oI/s400/Mankatha-Movie-08-06-Stills-016.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5647451805933979266)
The man, who single-handedly revolutionized the standards of film music composition in India. His career is a turning point in the history of Indian film music. None other than, One and Only A.R Rahman (ALLAH RAKHA RAHMAN)
Born on January 6, 1966 as A. S. Dileep Kumar in Chennai, Tamil Nadu, India, is a composer, record producer and musician. is the second of four children born to R. K. Shekhar and Kareema Begum (Kasthuri). He has three sisters, Rehana (Kanchana), Fatima Talat (Bala) and Israth. He is married to Saira and has three children – Khatija, Rahima and Amin. Rahman is an alumni of the PSBB Lake Area School, Nungambakkam, Chennai.
His nephew G. V. Prakash Kumar is a composer in the Tamil film industry.Son of Rehana (Kanchana). is the second of four children born to R. K. Shekhar and Kareema Begum (Kasthuri). He has three sisters, Rehana (Kanchana), Fatima Talat (Bala) and Israth. He is married to Saira and has three children – Khatija, Rahima and Amin. Rahman is an alumni of the PSBB Lake Area School, Nungambakkam, Chennai.
His nephew G. V. Prakash Kumar is a composer in the Tamil film industry.Son of Rehana (Kanchana). His father died when Rahman was nine years old, and his family rented out musical equipment as a source of income. Rahman converted to Islam after a personal family incident and was a student at PSBB for a short while before changing schools.
During these early years, Rahman served as a keyboard player and an arranger in bands such as “Roots” and “Nemesis Avenue” with friends including Sivamani, embracing numerous music genres. He played the keyboard and piano, in addition to, among others, the synthesizer, the harmonium and the guitar. His curiosity in the synthesizer in particular increased because, he says, it was the “ideal combination of music and technology.” began early training in music under Master Dhanraj. At the age of 11, he joined, as a keyboardist, the troupe of Ilaiyaraaja, of many composers to whom musical instruments belonging to Rahman’s father were rented to. Rahman later played in the orchestra of M. S. Viswanathan and Ramesh Naidu, accompanied Zakir Hussain, Kunnakudi Vaidyanathan and L. Shankar on world tours and obtained a scholarship to Trinity College of Music in London, where he graduated with a degree in Western classical music. Once in an interview with Vijay TV’s Coffee with Anu, Rahman described P. Susheela as his most favourite singer ever, whom he worked with in the Tamil film Pudhiya Mugam. Rahman trained in Indian classical music from a young age.
In a career spanning over a decade, Rahman, by 2003, had sold more than one hundred million records of his film scores and soundtracks world-wide, and sold over 200 million cassettes making him, along with fellow Asian Freddie Mercury, one of the world’s top 10 all-time top selling recording artists.
During these early years, Rahman served as a keyboardist and an arranger in bands such as “Roots” with friends, embracing numerous music genres. He played the keyboard and piano, in addition to, among others, the synthesizer, the harmonium and the guitar. His curiosity in the synthesizer in particular increased because, he says, it was the “ideal combination of music and technology.” He began training in Carnatic music. At the age of 11, he joined, as a keyboardist, the troupe of Indian composer Ilaiyaraaja, one of many composers to whom musical instruments belonging to Rahman’s father were rented to. Rahman later played in the orchestra of M. S. Viswanathan and Ramesh Naidu, accompanied Zakir Hussain and Kunnakudi Vaidyanathan on world tours and obtained scholarship to Trinity College at Oxford University, where he graduated with a degree in Western classical music.
In 1991, Rahman began his own music recording and mixing studio, attached to backyard of his house, called the Panchathan Record Inn. He initially composed music jingles for advertisements, Indian Television channels and music scores in documentaries, among other projects. In 1992, he was approached by film director Mani Ratnam to compose the score and soundtrack for Ratnam’s Tamil film Roja. The debut led Rahman to receive the Rajat Kamal award for Best Music Director at the National Film Awards, the first time ever by a first-time film composer. Rahman has since then gone on to win the award three more times (for his scores for Minsaara Kanavu (Electric Dreams, Tamil) in 1997, Lagaan (Tax, Hindi) in 2002, Kannathil Muthamittal (If Kissed on the Cheek, Tamil) in 2003), the most ever by any composer.
Rahman’s work is also unique in the fact that his collaborations with some film directors have always resulted in successful soundtracks. In particular, he has worked with Mani Ratnam on ten films until 2006, all of which have been musical hits. Also notable is his collaboration with the director S. Shankar in the films Gentleman, Kadhalan, Indian, Jeans, Mudhalvan, Nayak, Boys and Sivaji.
His first movie album Roja was listed in TIME’s “Top 10 Movie Soundtracks of All Time” in 2005. Rahman continued to record frequently in his studio, the Panchathan Record Inn. In 2005, a newly developed recording studio, attached to the Inn called A.M. Studios was opened. It is considered to be the most developed, equipped and high tech studio of Asia. In 2006, Rahman launched his own music label, KM Musiq. It’s first release was his soundtrack to the film Sillunu Oru Kaadhal which it released worldwide, in August 2006. His latest work includes Saathiya,Rang De Basanti, Sillunu Oru Kaadhal, Guru, Varalaru – The History of the Godfather, Sivaji: The Boss, Azhagiya Tamil Magan,Jodhaa Akbar,Jaane Tu Ya Jaane Na and ADA: A Way of Life . Rahman has scored the movie Provoked, co-scored Elizabeth: The Golden Age, and is working on Chamki Chameli to be released in 2008 and Hindi version of Tamil blockbuster Ghajini. He is a recipient of the Padma Shri.
Other works
Rahman has been involved in several projects aside from film. He made an album Vande Mataram (1997) on India’s 50th anniversary of independence to immense success. He followed it up with an album called Jana gana mana, a conglomeration of performances by many leading exponents/artists of Indian classical music. In addition to writing jingles for ads, he has composed several orchestrations for athletic events and T.V. and internet media publications, documentaries and short films.
In 1999, Rahman, along with choreographers Shobhana and Prabhu Deva Sundaram and a dancing troupe from the Tamil film industry performed with Michael Jackson in Munich, Germany, for his “Michael Jackson and Friends Concert.” In 2002, he composed his maiden stage production Bombay Dreams (2002) following a commission from famous musical theatre composer Andrew Lloyd Webber. Furthermore, Rahman, along with the Finnish folk music band Värttinä, composed the music for The Lord of the Rings theatre production. He composed the piece “Raga’s Dance” for Vanessa-Mae’s album Choreography (2004).
In the last six years, he has performed in three successful world tours of his concerts to audiences in Singapore, Australia, Malaysia, Dubai, UK, Canada, the US (Hollywood Bowl and 3d tour) and India. A two-disc soundtrack, Introducing A. R. Rahman, (2006) featuring 25 pieces he composed from his Tamil film scores was released in May 2006.
Music style
Rahman’s interest in the works of Classical and Romantic period composers, Carnatic composers, early film composers and predecessors K. V. Mahadevan and Vishwanathan-Ramamoorthy of the film industry of Tamil Nadu and others continued through his late teens. He further explored and trained in Carnatic music, Western classical, Hindustani music and the Qawwali style of Nusrat Fateh Ali Khan, in addition to numerous other styles. His interest and outlook in music is said to stem from his love of experimentation. As a result, his scores have alternated from songs and themes composed covering a variety of genres, with unconventionally-grouped instruments, and different vocal styles being used and combined together in some of his film soundtracks, to more traditional orchestral themes with leitmotif techniques composed in others. Rahman’s works often feature a mix of minimalist songs and evocative, thematic pieces, building on his differing chord progressions and rhythms. He has written scores and songs with new and varied melodic and percussive sounds from instruments of different music systems.
Other Awards was nominated for
Laurence Olivier Theatre Award (2003) (The Hilton Award) for “Best New Musical of 2002″ – Bombay Dreams Musical
Sangeet Awards 2005 Best Music Director (Film music – Swades)
The Mahavir-Mahatma Award (Instituted by the Oneness Forum)
National Lata Mangeshkar awards for 2004-05 ( The awards instituted by Madhya Pradesh government )
Sangeet Awards 2004 Best Music Director (Film music – Yuva) Best music arranger (Critics award) for ‘Yeh Rishta’ – Meenakshi 2004 American India Awards R D Burman Award at the SuMu Music Awards (1993) Madras Telugu Academy Puraskar (1992 to 1994) Bommai Nagi Reddy Award (1995/96) Lux-Kumudam Award for Kadhalan (1995) Mauritius National Award (1995; for contribution to music) Malaysian Award (1996; for contribution to music) Sanskriti Award from Delhi based Sanskriti foundation (1994) Kalaimamani Award from Tamil Nadu Government (1995) Thangapillai Award Rajiv Gandhi Award 3rd Channel [V] Awards – Coca Cola Viewer’s Choice Award 1998 The Channel [V]-IMI Award for Best Producer for Vandemataram 1998 Fanta Award in 1999 Stardust Cine Honours Taal (2000) Filmgoers’s Award Taal (2000) First Bollywood Music Awards (Best Music Director and Best Song) Taal (2000) V Shantaram Award: Taal (2001), Best Music(Guru)2006- 2007 Bollywood US Awards (2003) Best Music Director : Saathiya 8th Annual Planet-Bollywood Awards (People’s Choice Awards! – Best of 2002) Best Music Direction : Saathiya, The Legend of Bhagat Singh Star Screen Award – Best Background Score – Rang De BasantiDinakaran Cine Awards Minsara Kanavu (1998) Jeans (1999) Mudalvan, Kadhalar Dhinam (2000)
MTV Awards
MTV-VMA Award for Dil Se Re song from Dil Se.. 1999 MTV Asia Awards 2003 for Favourite Artist India MTV IMMIES 2003 – Best Music Composer – ‘Saathiya’ – Saathiya ( Hindi )
A. R. Rahman has been nominated for the following awards:
Laurence Olivier Awards (UK)
2003 – Laurence Olivier Theatre Award for Best New Musical – Bombay Dreams
Dora Mavor Moore Awards (Canada)
2006 – General Theatre Division – Outstanding Musical Direction – The Lord of the Rings musical
His dedication towards music, that gave him all success. This magnificent man is the pride of India… entire nation and an idol for millions all over the world needs no preamble.
In addition to composing themes for charity media features and events, Rahman has set up the “A.R.Rahman Foundation” with a goal to eradicate poverty globally. This includes setting up and partnering with educational institutions across India to provide education to children who do not have easy access to schools or funds. In 2004, he was appointed as the Global Ambassador of the Stop TB Partnership, a project by WHO. He has shown support to charities including Save the Children, India, and worked with Cat Stevens / Yusuf Islam for his song “Indian Ocean” . The song featured a-ha keyboard player Magne Furuholmen and Travis drummer, Neil Primrose. The proceeds of the song went towards helping orphans in Banda Aceh, one of the areas worst affected by the 2004 Indian Ocean Tsunami.
India, She must be feeling proud to be the mother of this Living Legend
And now its time for the A.R Rahman
Born on January 6, 1966 as A. S. Dileep Kumar in Chennai, Tamil Nadu, India, is a composer, record producer and musician. is the second of four children born to R. K. Shekhar and Kareema Begum (Kasthuri). He has three sisters, Rehana (Kanchana), Fatima Talat (Bala) and Israth. He is married to Saira and has three children – Khatija, Rahima and Amin. Rahman is an alumni of the PSBB Lake Area School, Nungambakkam, Chennai.
His nephew G. V. Prakash Kumar is a composer in the Tamil film industry.Son of Rehana (Kanchana). is the second of four children born to R. K. Shekhar and Kareema Begum (Kasthuri). He has three sisters, Rehana (Kanchana), Fatima Talat (Bala) and Israth. He is married to Saira and has three children – Khatija, Rahima and Amin. Rahman is an alumni of the PSBB Lake Area School, Nungambakkam, Chennai.
His nephew G. V. Prakash Kumar is a composer in the Tamil film industry.Son of Rehana (Kanchana). His father died when Rahman was nine years old, and his family rented out musical equipment as a source of income. Rahman converted to Islam after a personal family incident and was a student at PSBB for a short while before changing schools.
During these early years, Rahman served as a keyboard player and an arranger in bands such as “Roots” and “Nemesis Avenue” with friends including Sivamani, embracing numerous music genres. He played the keyboard and piano, in addition to, among others, the synthesizer, the harmonium and the guitar. His curiosity in the synthesizer in particular increased because, he says, it was the “ideal combination of music and technology.” began early training in music under Master Dhanraj. At the age of 11, he joined, as a keyboardist, the troupe of Ilaiyaraaja, of many composers to whom musical instruments belonging to Rahman’s father were rented to. Rahman later played in the orchestra of M. S. Viswanathan and Ramesh Naidu, accompanied Zakir Hussain, Kunnakudi Vaidyanathan and L. Shankar on world tours and obtained a scholarship to Trinity College of Music in London, where he graduated with a degree in Western classical music. Once in an interview with Vijay TV’s Coffee with Anu, Rahman described P. Susheela as his most favourite singer ever, whom he worked with in the Tamil film Pudhiya Mugam. Rahman trained in Indian classical music from a young age.
In a career spanning over a decade, Rahman, by 2003, had sold more than one hundred million records of his film scores and soundtracks world-wide, and sold over 200 million cassettes making him, along with fellow Asian Freddie Mercury, one of the world’s top 10 all-time top selling recording artists.
During these early years, Rahman served as a keyboardist and an arranger in bands such as “Roots” with friends, embracing numerous music genres. He played the keyboard and piano, in addition to, among others, the synthesizer, the harmonium and the guitar. His curiosity in the synthesizer in particular increased because, he says, it was the “ideal combination of music and technology.” He began training in Carnatic music. At the age of 11, he joined, as a keyboardist, the troupe of Indian composer Ilaiyaraaja, one of many composers to whom musical instruments belonging to Rahman’s father were rented to. Rahman later played in the orchestra of M. S. Viswanathan and Ramesh Naidu, accompanied Zakir Hussain and Kunnakudi Vaidyanathan on world tours and obtained scholarship to Trinity College at Oxford University, where he graduated with a degree in Western classical music.
In 1991, Rahman began his own music recording and mixing studio, attached to backyard of his house, called the Panchathan Record Inn. He initially composed music jingles for advertisements, Indian Television channels and music scores in documentaries, among other projects. In 1992, he was approached by film director Mani Ratnam to compose the score and soundtrack for Ratnam’s Tamil film Roja. The debut led Rahman to receive the Rajat Kamal award for Best Music Director at the National Film Awards, the first time ever by a first-time film composer. Rahman has since then gone on to win the award three more times (for his scores for Minsaara Kanavu (Electric Dreams, Tamil) in 1997, Lagaan (Tax, Hindi) in 2002, Kannathil Muthamittal (If Kissed on the Cheek, Tamil) in 2003), the most ever by any composer.
Rahman’s work is also unique in the fact that his collaborations with some film directors have always resulted in successful soundtracks. In particular, he has worked with Mani Ratnam on ten films until 2006, all of which have been musical hits. Also notable is his collaboration with the director S. Shankar in the films Gentleman, Kadhalan, Indian, Jeans, Mudhalvan, Nayak, Boys and Sivaji.
His first movie album Roja was listed in TIME’s “Top 10 Movie Soundtracks of All Time” in 2005. Rahman continued to record frequently in his studio, the Panchathan Record Inn. In 2005, a newly developed recording studio, attached to the Inn called A.M. Studios was opened. It is considered to be the most developed, equipped and high tech studio of Asia. In 2006, Rahman launched his own music label, KM Musiq. It’s first release was his soundtrack to the film Sillunu Oru Kaadhal which it released worldwide, in August 2006. His latest work includes Saathiya,Rang De Basanti, Sillunu Oru Kaadhal, Guru, Varalaru – The History of the Godfather, Sivaji: The Boss, Azhagiya Tamil Magan,Jodhaa Akbar,Jaane Tu Ya Jaane Na and ADA: A Way of Life . Rahman has scored the movie Provoked, co-scored Elizabeth: The Golden Age, and is working on Chamki Chameli to be released in 2008 and Hindi version of Tamil blockbuster Ghajini. He is a recipient of the Padma Shri.
Other works
Rahman has been involved in several projects aside from film. He made an album Vande Mataram (1997) on India’s 50th anniversary of independence to immense success. He followed it up with an album called Jana gana mana, a conglomeration of performances by many leading exponents/artists of Indian classical music. In addition to writing jingles for ads, he has composed several orchestrations for athletic events and T.V. and internet media publications, documentaries and short films.
In 1999, Rahman, along with choreographers Shobhana and Prabhu Deva Sundaram and a dancing troupe from the Tamil film industry performed with Michael Jackson in Munich, Germany, for his “Michael Jackson and Friends Concert.” In 2002, he composed his maiden stage production Bombay Dreams (2002) following a commission from famous musical theatre composer Andrew Lloyd Webber. Furthermore, Rahman, along with the Finnish folk music band Värttinä, composed the music for The Lord of the Rings theatre production. He composed the piece “Raga’s Dance” for Vanessa-Mae’s album Choreography (2004).
In the last six years, he has performed in three successful world tours of his concerts to audiences in Singapore, Australia, Malaysia, Dubai, UK, Canada, the US (Hollywood Bowl and 3d tour) and India. A two-disc soundtrack, Introducing A. R. Rahman, (2006) featuring 25 pieces he composed from his Tamil film scores was released in May 2006.
Music style
Rahman’s interest in the works of Classical and Romantic period composers, Carnatic composers, early film composers and predecessors K. V. Mahadevan and Vishwanathan-Ramamoorthy of the film industry of Tamil Nadu and others continued through his late teens. He further explored and trained in Carnatic music, Western classical, Hindustani music and the Qawwali style of Nusrat Fateh Ali Khan, in addition to numerous other styles. His interest and outlook in music is said to stem from his love of experimentation. As a result, his scores have alternated from songs and themes composed covering a variety of genres, with unconventionally-grouped instruments, and different vocal styles being used and combined together in some of his film soundtracks, to more traditional orchestral themes with leitmotif techniques composed in others. Rahman’s works often feature a mix of minimalist songs and evocative, thematic pieces, building on his differing chord progressions and rhythms. He has written scores and songs with new and varied melodic and percussive sounds from instruments of different music systems.
Awards for A.R. Rahman
National Film Awards (India)
1993 – National Film Award for Best Music Direction – Roja
1997 – National Film Award for Best Music Direction – Minsaara Kanavu
2002 – National Film Award for Best Music Direction – Lagaan
2003 – National Film Award for Best Music Direction – Kannathil Muthamittal
Filmfare Awards South (India)
1993 – Filmfare Best Music Direction – Roja
1994 – Filmfare Best Music Direction – Gentleman
1995 – Filmfare Best Music Direction – Kadhalan
1996 – Filmfare Best Music Direction – Bombay
1997 – Filmfare Best Music Direction – Kadhal Desam
1998 – Filmfare Best Music Direction – Minsaara Kanavu
1999 – Filmfare Best Music Direction – Jeans
2000 – Filmfare Best Music Direction – Mudhalvan
2001 – Filmfare Best Music Direction – Alaipayuthey
2006 – Filmfare Best Music Direction – Sillunu Oru Kadhal
Filmfare Awards (India)
1995 – Filmfare Best Music Director Award – Rangeela
1998 – Filmfare Best Music Director Award – Dil Se
1999 – Filmfare Best Music Director Award – Taal
2001 – Filmfare Best Music Director Award – Lagaan
2002 – Filmfare Best Music Director Award – Saathiya
2002 – Filmfare Best Background Score – The Legend of Bhagat Singh
2004 – Filmfare Best Background Score – Swades
2006 – Filmfare Best Music Director Award – Rang de Basanti
He also won a “Filmfare R D Burman Music Debutant Award” for Roja’s dubbed Hindi version.
National Film Awards (India)
1993 – National Film Award for Best Music Direction – Roja
1997 – National Film Award for Best Music Direction – Minsaara Kanavu
2002 – National Film Award for Best Music Direction – Lagaan
2003 – National Film Award for Best Music Direction – Kannathil Muthamittal
Filmfare Awards South (India)
1993 – Filmfare Best Music Direction – Roja
1994 – Filmfare Best Music Direction – Gentleman
1995 – Filmfare Best Music Direction – Kadhalan
1996 – Filmfare Best Music Direction – Bombay
1997 – Filmfare Best Music Direction – Kadhal Desam
1998 – Filmfare Best Music Direction – Minsaara Kanavu
1999 – Filmfare Best Music Direction – Jeans
2000 – Filmfare Best Music Direction – Mudhalvan
2001 – Filmfare Best Music Direction – Alaipayuthey
2006 – Filmfare Best Music Direction – Sillunu Oru Kadhal
Filmfare Awards (India)
1995 – Filmfare Best Music Director Award – Rangeela
1998 – Filmfare Best Music Director Award – Dil Se
1999 – Filmfare Best Music Director Award – Taal
2001 – Filmfare Best Music Director Award – Lagaan
2002 – Filmfare Best Music Director Award – Saathiya
2002 – Filmfare Best Background Score – The Legend of Bhagat Singh
2004 – Filmfare Best Background Score – Swades
2006 – Filmfare Best Music Director Award – Rang de Basanti
He also won a “Filmfare R D Burman Music Debutant Award” for Roja’s dubbed Hindi version.
Tamil Nadu State Film Awards
1993 – Best Music – Roja
1994 – Best Music – Gentleman
1995 – Best Music – Kadhalan
1996 – Best Music – Bombay
1997 – Best Music – Minsaara Kanavu
2000 – Best Music – Sangamam
Zee Cine Awards (India)
2000 – ** 2002 – Zee Cine Award Best Music Director – Lagaan
2006 – Zee Cine Award Best Music Director – Rang De Basanti
GIFA Awards (Malaysia)
2006 – GIFA Award for Best Music – Rang De Basanti
2006 – GIFA Award for Best Background Music – Rang De Basanti
IIFA Awards (India)
2007 – IIFA Best Music Direction – Rang De Basanti
2002 – IIFA Best Music Direction – Lagaan
2003 – IIFA Best Music Direction – Saathiya
2000 – IIFA Best Music Direction – Taal
Star Screen Awards
2002 – Best Background Music
2007 – Best Music Direction – Guru
Swaralaya Yesudas Award (India)
2006 – Swaralaya-Kairali- Yesudas Award for outstanding performance in music field
2000 – Padma Shri (India)
Screen-Videocon Awards Kadhal Desam (South – Tamil; 1997) Minsara Kanavu (South – Tamil; 1998)
Vande Mataram (Non-film; 1998) Taal (Hindi; 2000)
1993 – Best Music – Roja
1994 – Best Music – Gentleman
1995 – Best Music – Kadhalan
1996 – Best Music – Bombay
1997 – Best Music – Minsaara Kanavu
2000 – Best Music – Sangamam
Zee Cine Awards (India)
2000 – ** 2002 – Zee Cine Award Best Music Director – Lagaan
2006 – Zee Cine Award Best Music Director – Rang De Basanti
GIFA Awards (Malaysia)
2006 – GIFA Award for Best Music – Rang De Basanti
2006 – GIFA Award for Best Background Music – Rang De Basanti
IIFA Awards (India)
2007 – IIFA Best Music Direction – Rang De Basanti
2002 – IIFA Best Music Direction – Lagaan
2003 – IIFA Best Music Direction – Saathiya
2000 – IIFA Best Music Direction – Taal
Star Screen Awards
2002 – Best Background Music
2007 – Best Music Direction – Guru
Swaralaya Yesudas Award (India)
2006 – Swaralaya-Kairali- Yesudas Award for outstanding performance in music field
2000 – Padma Shri (India)
Screen-Videocon Awards Kadhal Desam (South – Tamil; 1997) Minsara Kanavu (South – Tamil; 1998)
Vande Mataram (Non-film; 1998) Taal (Hindi; 2000)
Other Awards was nominated for
Laurence Olivier Theatre Award (2003) (The Hilton Award) for “Best New Musical of 2002″ – Bombay Dreams Musical
Sangeet Awards 2005 Best Music Director (Film music – Swades)
The Mahavir-Mahatma Award (Instituted by the Oneness Forum)
National Lata Mangeshkar awards for 2004-05 ( The awards instituted by Madhya Pradesh government )
Sangeet Awards 2004 Best Music Director (Film music – Yuva) Best music arranger (Critics award) for ‘Yeh Rishta’ – Meenakshi 2004 American India Awards R D Burman Award at the SuMu Music Awards (1993) Madras Telugu Academy Puraskar (1992 to 1994) Bommai Nagi Reddy Award (1995/96) Lux-Kumudam Award for Kadhalan (1995) Mauritius National Award (1995; for contribution to music) Malaysian Award (1996; for contribution to music) Sanskriti Award from Delhi based Sanskriti foundation (1994) Kalaimamani Award from Tamil Nadu Government (1995) Thangapillai Award Rajiv Gandhi Award 3rd Channel [V] Awards – Coca Cola Viewer’s Choice Award 1998 The Channel [V]-IMI Award for Best Producer for Vandemataram 1998 Fanta Award in 1999 Stardust Cine Honours Taal (2000) Filmgoers’s Award Taal (2000) First Bollywood Music Awards (Best Music Director and Best Song) Taal (2000) V Shantaram Award: Taal (2001), Best Music(Guru)2006- 2007 Bollywood US Awards (2003) Best Music Director : Saathiya 8th Annual Planet-Bollywood Awards (People’s Choice Awards! – Best of 2002) Best Music Direction : Saathiya, The Legend of Bhagat Singh Star Screen Award – Best Background Score – Rang De BasantiDinakaran Cine Awards Minsara Kanavu (1998) Jeans (1999) Mudalvan, Kadhalar Dhinam (2000)
MTV Awards
MTV-VMA Award for Dil Se Re song from Dil Se.. 1999 MTV Asia Awards 2003 for Favourite Artist India MTV IMMIES 2003 – Best Music Composer – ‘Saathiya’ – Saathiya ( Hindi )
A. R. Rahman has been nominated for the following awards:
Laurence Olivier Awards (UK)
2003 – Laurence Olivier Theatre Award for Best New Musical – Bombay Dreams
Dora Mavor Moore Awards (Canada)
2006 – General Theatre Division – Outstanding Musical Direction – The Lord of the Rings musical
Elizabeth: The Golden Age (2007) (with Craig Armstrong)
* Jodhaa Akbar (2008)
* Al Risalah (1 song) (2008)
* Jaane Tu Ya Jaane Na (2008)
* ADA: A Way of Life (2008)
* Sakkarakatti (2008)
* Chennaiyil Oru Mazhaikalam (2008)
* Puli (film) (announced)(2008)
* Ghajini(Hindi Remake) (2008)
* Dilli 6 (2008)
* Main Yuvraj (2008)
* What Is Cooking?(2008)
* Sultan: The Warrior (2009)
* Nairsan (2009)
* Exclusion (Film) (2009)
* Dhun (film) (2009)
* Chamki Chameli(2009)
* Manavar Dhinam (2009)
* Marmayogi(2010)
* Robot (film) (2010)
* Blue (Film) (Announced)
* What’s Your Raashee? (Announced)
* Jodhaa Akbar (2008)
* Al Risalah (1 song) (2008)
* Jaane Tu Ya Jaane Na (2008)
* ADA: A Way of Life (2008)
* Sakkarakatti (2008)
* Chennaiyil Oru Mazhaikalam (2008)
* Puli (film) (announced)(2008)
* Ghajini(Hindi Remake) (2008)
* Dilli 6 (2008)
* Main Yuvraj (2008)
* What Is Cooking?(2008)
* Sultan: The Warrior (2009)
* Nairsan (2009)
* Exclusion (Film) (2009)
* Dhun (film) (2009)
* Chamki Chameli(2009)
* Manavar Dhinam (2009)
* Marmayogi(2010)
* Robot (film) (2010)
* Blue (Film) (Announced)
* What’s Your Raashee? (Announced)
His dedication towards music, that gave him all success. This magnificent man is the pride of India… entire nation and an idol for millions all over the world needs no preamble.
In addition to composing themes for charity media features and events, Rahman has set up the “A.R.Rahman Foundation” with a goal to eradicate poverty globally. This includes setting up and partnering with educational institutions across India to provide education to children who do not have easy access to schools or funds. In 2004, he was appointed as the Global Ambassador of the Stop TB Partnership, a project by WHO. He has shown support to charities including Save the Children, India, and worked with Cat Stevens / Yusuf Islam for his song “Indian Ocean” . The song featured a-ha keyboard player Magne Furuholmen and Travis drummer, Neil Primrose. The proceeds of the song went towards helping orphans in Banda Aceh, one of the areas worst affected by the 2004 Indian Ocean Tsunami.
India, She must be feeling proud to be the mother of this Living Legend
And now its time for the A.R Rahman
0 comments:
Post a Comment